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Showing posts with label Objects of Desire. Show all posts
Showing posts with label Objects of Desire. Show all posts

Sunday, October 10, 2010

OMG! Another Mel-O-Bar. But what a Mel-O-Bar!!!! Naugahyde!!!!

guitarz.blogspot.com





We've had a few vintage Mel-O-Bars recently but this one is 1980s, unused with just a couple of small scratches on the neck and a liberal coating of shop dust. That's like fairy dust but more expensive. The sellers say it's been on display in their shop since the 1980s. The body is foam padded "for comfort" and, it's covered in Naugahyde!!!!!!! Sorry, more exclamation marks and bold type, I just can't help it.

It was Tom Waits who introduced me to the subtle, sticky and seductive texture, the clammy and clinging faux leatherette-ishness and the sweet, heady vinylious aroma of Naugahyde and I've been a sucker for it ever since.

I checked out Naugahyde on Google and they are still in business! www.naugahyde.com 

"There is only one Naugahyde and it's proudly made in the USA." Well, for that I'm glad! They do have a somewhat skewed take on eco friendly though, which is kind of fuzzed over with their story that Naugahyde comes from the sloughed skin of naugas - "No naugas were harmed in the production of this material". But as Naugahyde is actually made of PVC, the welfare of cute little fictional critters is the least of our worries. Slight digression... Guitar making is, in the mainstream at least, an industrial process and, even apart from the timbers that are used to build guitars, there are glues, paints, varnishes, plastics and heavy metals (yeah! I'm talking to you Ozzy) used in their manufacture so... Where art thou, eco-guitar?

It also has another interesting though somehow less, well, tactile feature (if you get my drift) which I've never seen before. Along the edge of the neck is a guide bar to help position the slide. I guess you would feel the notches with your finger tips as you play. I tried searching for more info on this but with no luck so far. It may well be an innovation unique to Melobars.

I'm pleased to say, that as it's clearly not everyones cup of tea, I had little opposition in the usual bidding frenzy over there at eBay Towers and it will be winging its way to sunny Barcelona (into the loving arms of the Spanish customs department so they can determine how much to fleece me for this time) very shortly. I stayed up till 4.30 in the morning to bid for this, by the way.

David in Barcelona

Guitarz - The Original Guitar Blog - now in its 9th year!

Wednesday, September 15, 2010

1960s Bradford - as used by Link Wray?





I've never heard of Bradford before seeing this pristine 4 pickup beauty currently with a BIN of 900 bucks! The seller claims Link Wray played one of these on Rumble. I wonder what Gavin thinks. [I don't think so - GLW]. It is a great looking guitar and I'm sure if Mr Wray saw it he'd play it.

David in Barcelona

Guitarz - The Original Guitar Blog - now in its 9th year!

Friday, October 3, 2008

Objects of Desire #3: The James Bond Guitar

The original james Bond theme guitarFriday Night Is Bond Night over at BBC Radio 2 on Friday 7 November. Recording on Monday 13 November, Ken Bruce hosts a concert of music from Bond films such as Licence To Kill, Goldfinger, Thunderball, For Your Eyes Only and Diamonds Are Forever. Leading the festivities is the 70-piece BBC Concert Orchestra, with performances from David McAlmont, Mica Paris, Tom Baxter and Jodie Prenger. You can apply for tickets for the Monday 13 November recording here.

On a related note, the guitar pictured here is THE original James Bond guitar. The original theme was played on this very guitar - a Clifford Essex Paragon De Luxe - by the fantastically-named guitarist Vic Flick. The guitar currently resides in the Rock and Roll Hall of Fame + Museum in Cleveland, Ohio.

Thursday, May 29, 2008

Objects of Desire. #2: Björn Ulvaeus' Star Guitar

Abba - Waterloo TV appearances
Speaking of the Eurovision Song Contest, as we were the other day, has caused me to think: Whatever happened to the silver star guitar as played by Abba's Björn Ulvaeus for their 1974 contest-winning entry "Waterloo"?

It would appear that I'm not the only one who'd like to know. Stockholm's Abba Museum dearly wanted the guitar as an exhibit, but it has mysteriously "gone missing" - under what circumstances we are not told - along with its twin, an identical guitar finished in gold.

Both guitars were created by the now legendary Swedish guitar manufacturer Hagström [NOTE: not true, see UPDATE #2 below], the gold one reportedly having been given as a prize for a competition held by German magazine Bravo. Björn only seemed to use the silver star guitar during the "Waterloo" period, at the 1974 Eurovision Song Contest itself in Brighton, and on subsequent TV appearances when performing "Waterloo". As far as I am aware, he didn't play it publicly after this or for promoting any of their other songs.

Not one of the news reports I found made any mention of the last known whereabouts of the guitar (or its twin), although there were one of two references of one (or both?) of the guitars possibly being in the collection of a German fan.

Unfortunately, I cannot find any decent photographs of either guitar, other than the blurry TV screenshots showing Björn playing the silver star guitar that I've reproduced above. [As an aside, I always thought it was more "explosion"-shaped, rather than star-shaped, but that's what everyone else calls it. "Star guitar" makes me think of the 5-pointed star guitar used by the Glitter Band.]

So, do you know what happened to this important artefact of pop music history? I, for one, would love to know.



UPDATE: The plot thickens! This is getting more confusing. Was the star guitar actually built by Hagström as reported elsewhere? I found another link last night (and can I find that page again?) linking to the guy who supposedly built the star guitar for Abba. Goram Malmberg's website, which mainly focusses on sports cars, mentions that he used to be a guitar builder and still builds guitars now and then for special customers, and also shows some pictures of Abba and the star guitar (in one close-up we can clearly see the Malmberg logo on the scratchplate) plus pictures of Malmberg building a new star guitar for the Abba museum.



UPDATE #2: The Star Guitar is NOT a Hagström! It's a Malmberg!

Through the wonder of email I've been in touch with Goram Malmberg who tells me that (in his own words):
I did build the star ABBA guitar. I heard rumors myself about that Hagstrom should have built the guitar, but that's not so. It might be becouse Hagstrom is one of the few known guitar fabricators in Sweden, people draws the conclusion that they must have been the builder then. I am in no way connected with Hagstrom.

I have been in contact with the ABBA museum (under build up in Stockholm) about the guitar, and the guitar is really missing. From what I understand ABBA liked to alter their performance including new instruments, and the got other things to do than storing old stage gear. So, these things were left to roadies to handle. Time is passing by, and when the old star guitar is asked for around the world these days, no one knows who took care of it and where the guitar are.

There was ONLY one guitar made. In silver flake. The paint was in fact a Hot Rod car flake on a silver base with 100 (or something) layers of varnish on top. Might look as any base colour in a spotlight.

I designed the entire guitar shape. The original question from Bjorn was that they liked a guitar in the shape of a star, and I made a few baseline drawings for him to look at. If you look at the shape it is not symmetrical. We have the Gibson guitar "Flying V" and "Explorer" from the time that has "horns" in different directions. A common thing with those guitars along with my star guitar is that it has to serve a practical purpose, therfore the horns are pointing logical directions. The strap has to be fastened in a good balance possition. There should be no horn where one has its right arm. There has to be a horn to place tone and volume knobs. So the design issue was to find a design balance that included those features. I have seen copies of the guitar. No criticism, but if the builder does not has a very good picture to make a copy from, he will surley miss the geometric figures behind the design. And the guitar will not show the same harmony as the original.

About the "player" issue, it is just about the same as a Strat with patent number pickups. The body is laminate plywood, for the reason that the edge of the horns should not break. It is all solid as a Strat. Good sustain. However, the guitar main purpose was for image, and even if Bjorn had som "asking" for it as an instrument, there was newer any time for fine tune adjustments.

I am right now making two more copies of the guitar, one that is for the ABBA museum, for Bjorn to "accept" as alike during opening. The other is probably sold to an Italian ABBA enusiast. I am putting every possible effort to make them as original as possible.
So, that's part of the mystery solved. The whereabouts of the original is still unknown, and what was all this talk of a second guitar finished in gold? Was there ever a gold star guitar? A copy perhaps by another builder? Hagström even? (Could this be where the confusion came in as to who built the original?)

I'd like to thank Goram for taking the time to answer my questions. Remember, you read it here first, folks!



UPDATE #3: Yes, there was a Gold Star Guitar!

See: www.youtube.com/watch?v=mi_qKXA0GCA. This will be the one belonging to the German fan who supposedly won it in a magazine competition. This guitar would not have built by Goram Malmberg, and is a copy of the original.

Tuesday, April 22, 2008

Objects of Desire. #1: Paul Weller's Ricky 330

Paul Weller Rickenbacker 330This is the first in an occasional series of blog items, basically for when I'm experiencing a slow news day in the guitar world and for when I haven't found anything particularly alarming on eBay to show you.

Here's a guitar that Paul Weller used in The Jam. It's a Rickenbacker 330 finished in a pop-art design borrowed from Roy Lichenstein. Allegedly this guitar was actually quite unplayable, and was mainly used for promotional purposes such as TV appearances (i.e. when the band were miming). Nevertheless, it's a fantastic looking piece. If it were mine I'd take it to a luthier and see about making it fully playable again.

Apparently there's no truth in the rumour that Andrew Ridgely of Wham! offered to buy the guitar from Weller, although perhaps having that other band's name plastered over the front of it was what prevented Weller using the guitar with the Style Council.