Zemaitis Diamond custom

guitarz.blogspot.com

A cliché I regularly read on the guitar blogosphere, is the claim that the new made-in-Japan Zemaitis guitars are not the real things, that trying to prolong the work of craft-master Tony Zemaitis is pointless and almost blasphemous, and by extension that these guitars are probably just bad instruments (but if you dig a little bit, you find people saying that handmade original Zemaitis guitars were sometimes botched and badly finished, looking much better on photos than is real, a little bit like Wandre's).

Like most guitar lovers, I never played a Zemaitis guitar, never even saw one in real (neither original or Japanese) since they are not guitars you easily find at your local music shop, but I think that they are some the most superb guitars ever, and I imagine that all the pro musicians who play or endorse the new Zemaitis instruments don't do it only for their good look.

The one you can see here, a Zemaitis GZ500S Diamond is actually from the GZ series - one could call it the budget line of Zemaitis if they weren't over 2500 €, handmade, with engraved gears, abalone binding and inlays - built on contract by law-suit era copy specialist and old-timer guitar maker Greco (so good at cloning guitars that a part of the company became Fender Japan). It has upgraded pickups and pots and just one look at it causes in me a feeling of achievement and perfection (together with the sour feeling that I'll never have enough money in my life to buy such a guitar...)


 bertram

Guitarz - The Original Guitar Blog - now in its 9th year!

Greg Lake's Zemaitis doubleneck

guitarz.blogspot.com:

Greg Lake used to feel a bit shortchanged next to his colleagues in Emerson, Lake and Palmer. Carl Palmer had a huge battery of drums and Keith Emerson was surrounded on all sides by keyboards. Meanwhile Greg Lake is standing there with just a guitar. Not only did he try to re-dress the balance of things by marking his territory on stage with a large antique Persian rug, but he also got himself this simply enormous doublenecked guitar/bass.

Apparently it was one of only two doublenecks built by the now legendary Tony Zemaitis. Unfortuantely it was also extremely heavy, and so Lake was unable to play it onstage for more than a couple of songs. Deciding it was too impractical, he eventually gave it away. Considering the value of original Zemaitis guitars (as opposed to the recent Japanese tributes - and they are costly enough!), he must be kicking himself now.

I wonder where it is now?

G L Wilson

Guitarz - The Original Guitar Blog - now in its 9th year!

Sorry, but what's it got to do with Tony Zemaitis?

Now, don't get me wrong, I think this aluminium-bodied Tokai 'Zemaitis" Talbo is a really tasty looking guitar, but why tag on the totally spurious Zemaitis connection?

The late Tony Zemaitis created some amazing high quality "boutique" guitars, and was quite an innovator with distinctive designs such as his engraved metal fronts and pearl mozaic tops. (See the Official Zemaitis Guitar Owners Club website).

I was alarmed a couple of years ago when the Japanese appropriated his name and began making faithful replicas (see www.zemaitis.net). They are high-quality replicas, but personally I find the idea of putting them out under the "Zemaitis" banner a little bit tasteless.

Now this Tokai Talbo is one step further away again. It's a Tokai Talbo (which always was a metal-bodied guitar) but with a Zemaitis-shaped headstock. As far as I am aware there is no genuine Tokai/Zemaitis connection so, again, this seems improper.

A fine guitar, but why cash in unnecessarily on the late Tony Zemaitis' name?

Leafing through a Japanese guitar magazine the other day, I was rather surprised to see an advert for a new line of Zemaitis guitars. How can Zemaitis guitars exist without Tony Zemaitis, who sadly passed away in 2002? His operation was hardly comparable to that of Gibson or Fender. He wasn't the head of a factory churning out guitars; he used to build all the instruments by hand.

It seems someone (or some company more likely) has bought the rights to the Zemaitis name. My initial impression is that it sounds rather like sacrilege to me, although is it any worse than the Danelectro re-issue guitars courtesy of the Evets Corporation that have nothing whatsoever to do with the original Danelectro guitars, or the new American Vox guitars?

For more about Tony Zemaitis and the original Zemaitis guitars, see this article.