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Showing posts with label Epiphone. Show all posts
Showing posts with label Epiphone. Show all posts

Tuesday, February 8, 2011

1967 Epiphone Riviera 12-string


I'm also a 12-string guitars lover and this Epiphone Riviera is an extremely lovable one! This is not the first ES-335 12-string we've seen here - there was a Gibson, a Kapa, an Ovation... - but this one in dark natural finish is quite something. 

It's been produced in Gibson's factory in Kalamazoo in 1967, at the same time Gibson was selling a similar model, but actually at a cheaper price!

Bertram

Guitarz - The Original Guitar Blog - now in its 10th year!

Tuesday, January 25, 2011

Epiphone USA map guitar reissue


This 2005 limited edition 'guitar-of-the-month' Epiphone USA map is a reissue of an early 1980s even more limited model. 

I wonder if this one was made in People's Republic of China, like all the fake GDR memorabilia they sell here in Berlin...

Bertram

Guitarz - The Original Guitar Blog - now in its 10th year!

Tuesday, January 18, 2011

1966 Epiphone Olympic SB 722

There are those who consider Epiphone no more than a budget company selling cheap Gibson copies, and those who are thankful for the affordable quality instruments they provide, but you can also focus on their original models, of course the ones released before they where bought by Gibson in 1957, but also some that were released later (up to nowadays) like the 1966 Epiphone Olympic SB 722 you can see here.

It's part of the Kalamazoo (Gibson's original factory in Michigan) built solid bodies line produced between 1958 and 1969 - this one sharing its asymmetrical body shape with the Crestwood and the Wilshire, also the batwing 6-in-line headstock. This Olympic SB 722 has a single single-coil pick-up in bridge position and the optional trem. I personally don't like its design but it seems to be well sought after - this has been Epiphone's most successful model ever...

Bertram

Guitarz - The Original Guitar Blog - now in its 10th year!

Thursday, January 13, 2011

Epiphone Riviera P93 - with THREE P90s

guitarz.blogspot.com:
Rob J writes:
Dear Guitarz Blog,

On Tuesday you posted about a hollowbody guitar with 3 p90 pickups and asked 'did you ever see a hollow body guitar with 3 p90s?', well there is one sitting in my front room!

I bought this guitar a year ago from a local guitar shop for £300. Google has revealed to me that it is an Epiphone Riviera P93, a thinline semi-hollowbody guitar with 3 p90 pickups, a threeway selector, 3 volume pots, a master tone pot and a bigsby tailpiece with a tune-o-matic bridge. The selector switch selects the neck and middle pickup in the top position, all three pickups in the middle position and the middle and bridge pickup in the bottom position. It was released sometime around 2007-8 so it is definitely a modern guitar!

just thought you might be interested in this guitar after Tuesday's post.

Keep up the good work,
your loyal reader,
Rob J
Oh dear, it looks like I'm going to have to watch Bertram coming out with wild things such as "did you ever see a hollow body guitar with 3 P90s?"

I just KNEW someone was going to challenge that - it was an open invitation! And as was already pointed out in the comments, there's also the Gibson ES-5, as played by T Bone Walker.

Thanks for showing us your guitar, Rob. It's a beauty!

G L Wilson

Guitarz - The Original Guitar Blog - now in its 10th year!

Sunday, January 9, 2011

A Les Paul Oddity - Epiphone LP with HSH pickup arrangement

guitarz.blogspot.com:
Stephen writes:
Hi, I've been following your blog for a year and bit now, it's brilliant. It led me to wonder about one of my own guitars - I've had it about two years now, and never really wondered about it, but the more I try and find out about it, the less I seem to know. It started off as (according to The Gutar Dater Project website) a Korean made 1996 Epiphone Les Paul Limited Edition, nice sort of bluey green marine burst that is semi transparent so you can see the wood texture (nice gentle quilted look).

The guy who had it before me upgraded a lot of stuff, ie Speigel locking tuners, chrome telecaster style knobs, chrome pick up switch, a couple of punchy new coil tapped humbuckers (JBs I think) and generally upgraded stuff to make it better sounding, rugged, and all with a chrome theme. I was looking for a beefy guitar that hopefully wouldn't develop problems, so I figured if it had been throughly up graded it would do the trick.

Nothing too unusal there, but here's the thing, and I don't know why I've never really wondered about it before - sitting between the humbuckers is a single coil pick up, and it's sunk about half an inch into the body so as to be in keeping with the levels of the humbuckers. It looks like the sort of chrome lipstick pick up you'd get on the neck position of a telecaster. I wondered if someone might have routed out a slot for it and installed it as a guitar project, but when you look on the inside of the hole that the single coil sits in, it's perfectly machine cut and the same bluey green colour is on the inside walls of the hole. If it was a project, surely routing a slot for a pick up would expose the wood of the body of the guitar and there would be none of the blue stain?

The guitar was due a restringing, so while I had the old strings off this evening, I popped the single coil out, and the blue colour of the wood stain definitely goes all the way to the bottom of the slot. I popped out the bridge humbucker too just to compare the slots and any colouration in that one, and they're both bluey green all the way down, including the bottom.

The colouring in the hole suggests to me that the slot for the single coil may have been cut before the guitar was stained the greeny blue colour, which suggests it may have been done at the factory where it was made. The guy I bought the guitar off said it was like that when he got it, and he'd had it while.

Do you know of Epiphone ever releasing a Les Paul with a tele style single coil sitting between the humbuckers? Have you come across anything similar in your blogging? By the way, the single coil sounds very nice, it has a dynamic, articulate chime that the humbuckers can't achieve.
Thanks for showing us your guitar, Stephen. No, it's not a pickup arrangement I've seen on a Les Paul before. Perhaps some of our readers might know some more about it. I have to agree with the conclusion that you yourself have to come to, that the middle-pickup routing was done at the factory.

Now, I've read comments on guitar forums and in emails and a lot of people out there seem to think that we here at Guitarz have set ourself up as self-proclaimed experts. We're not, and have never claimed to be. We - like many of you - are simply guitar enthusiasts and are learning things about our favourite instrument all the time. We're happy to do our best to answer any questions and if we don't know the answers we can try to find out or else ask our readership to assist.

One thing that I've often wondered about is, on a 3-pickup Les Paul, which of the controls control which pickups and is the pickup selector switch a 5-way or is it a regular 3-way with the middle pickup being dialed in separately elsewhere? I took this opportunity to ask Stephen about the controls on his LP, to which he replied:
I'm not 100 percent sure that it all does work, but here's what it does what at the moment - the switch is a standard three way - of the two volume knobs, the volume knob nearest the bridge currently acts as master volume, and the tone control near the bridge currently acts as a master tone - the two tone knobs are push / pull coil tap type jobs for the humbuckers and both work - the volume knob furthest from the bridge doesn't do anything (although it looks like it's wired up) - all the pickups work, I had a look and they're all wired in, but I don't know enough about that side of things to be able to follow what they do.

The bridge humbucker sounds like a bridge humbucker, the neck humbucker sounds like a neck humbucker, and they can both be tapped for a single coilish sound. the centre position engages all three pickups, but the single coil seems to push to the front, with a nice sort of snappiness and articulation that the humbuckers can't manage, tapped or full.

If I was better with electronics I might be able to deduce more, but one thing I do know is that it sounds great, and I can get a ton of sounds out of it.
Thanks again, Stephen!

G L Wilson

Guitarz - The Original Guitar Blog - now in its 10th year!

Saturday, December 11, 2010

Epiphone Newport Bass

guitarz.blogspot.com:
I can't help it. I just find myself becoming a tad snobbish when it comes to Epiphone guitars. Well, that is to say, modern Epiphone guitars. I think I resent that they've become to Gibson what Squier is to Fender. They used to have plenty of their own classic designs but now they are playing second fiddle to Gibson. Somehow that irritates me.

But I do love some of Epiphone's older designs from the days when they didn't slavishly copy Gibson. I've aleady mentioned the Scroll guitar and Double Scroll bass. Epiphone Newport basses have been around since 1961 with a few cosmetic changes over the years and here we see a Japanese-made left-handed Epiphone Newport bass from the late 1970s/early 1980s in superb condition. The finish shows off what looks to be a mahogany body perfectly - but apparently it's maple. And if you look at the back you'll see that it's of through-neck construction (maple and rosewood), but is nicely understated unlike all those 1980s basses with contrasting timbers.

I'm not 100% sure about this, but I'd say this was a medium-scale length bass. It doesn't look to be a full long-scale and the bridge is set at the very end of the body unlike on most short-scales. If anyone can confirm this, please leave us a comment.

G L Wilson

Guitarz - The Original Guitar Blog - now in its 9th year!

Sunday, March 28, 2010

1970 Antoria 2358R (Epiphone Al Caiola pre-lawsuit copy)

fujigen antoria

This Antoria 2358R is not only a pure beauty, it is also a complicated story.

The original model is an Epiphone signature guitar designed in 1963 for jazz musician Al Caiola (who sided the greatest such as Frank  Sinatra or Buddy Holly). In 1970, Ibanez issued a quite accurate copy - that's what they were doing at the time, before they started to get sued by Gibson - but the FujiGen Gakki factory that worked for Ibanez also made the same guitar for the UK brand Antoria.

This guitar is remarkable for being a thin full hollow-body E-335 without F-holes - this being being aimed at reducing feedback - similar to the B.B. King Lucille signature model Gibson released in 1983. I like the FujiGen Gakki model better for its curved control plate being further back an smaller than on the Epiphone, but the big round scratchplate is a little bit bizzare.

bertram

Guitarz - The Original Guitar Blog - now in its 9th year!

Monday, March 22, 2010

Epiphone Prophecy Futura

prophecy futura

Unlike the previous Explorer variations I showed here before, the Epiphone Prophecy Futura doesn't try to hysterise its model but on the contrary, by reducing its body results in a very strange and radical guitar indeed... The narrow wasp center is disturbingly unusual (much more than a BC Rich guitar with plenty of pointy bits in every direction) even if the relation to the familiar Explorer is obvious.

Thought it's as angular as a regular Explorer, it is more ergonomic - even the longer lower horn is relevant, allowing to hold the guitar on the lap with a high neck. It looks like every superfluous wood was eliminated, making it much lighter than an Explorer. This guitar is more than a show-off and was meant to be useful in any situation. I still need to see it in someone's hands to see how this strange shape feels in relation to a human body (the best would be of course to play it but I've never seen it in any guitar shop I ever visited).

A few days ago I was writing here that Epiphone issues mush more new models (real new models) than Gibson, that's what I meant, and there're many like this, plus the regular Gibson budget models.



Guitarz - The Original Guitar Blog - now in its 9th year!

Friday, January 29, 2010

NIN Epiphone Les Paul Gothic

guitarz.blogspot.com:
Nine Inch Nails have created an eBay account especially to sell off their old stage gear - guitars, keyboards, amplifiers, drums, staging, anvil cases, cables, rack/outboard gear, guitar effects, pedal boards, etc. Some items are in working condition and some items, such as this Epiphone Les Paul Gothic, are trashed.

Who in their right mind would pay over $400 for a broken Epiphone Les Paul? Oh... Nine Inch Nails fans. Without the NIN connection, it's worth just a fraction of that. Looking through their past sales there are broken Gibson and Epiphone Les Pauls that have sold for thousands. Crazy!

It's sad really. People are bidding on this (admittedly, not very exciting) guitar, not so they can repair it and make it playable again, but as a NIN souvenir.

I can feel a rant coming on. Isn't trashing your instruments on stage a bit of hoary old cliché now? I find it incredible that bands insist on resorting to such tired worn-out "shock tactics". Even Pete Townshend seems embarrassed by it these days.

I can understand bands want to put on an incredible show, to create a spectacle, but come on... use your imaginations!!! Let's see something NEW and different and exciting. Hell, you could even amaze and excite us with some incredible musicianship! Ever thought of that?

Trashing instruments is up there alongside on-stage nudity and self-abuse as the tired old clichés designed to shock which any self-respecting artists should avoid. Is that really the best they can do?

G L Wilson

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Wednesday, October 21, 2009

Epiphone Triumph II and more

epiphone triumph II

Let's make another exception to the implicit moral obligation we have here to not promote new models from big companies (what most so-called guitar blogs make a living from) - unless, like it is the case here, it's a real soft spot for a really cool one.
I don't know if I'm getting old but since I feel less and less receptive to pure excitement and macho display of musical skills, I enjoy playing bass more and more, so I'm looking at bass guitars more accurately. For the first time I have a real coup de coeur for one, the newly released Epiphone Triumph II. With its hollow body, F-holes and hidden pickups, it might seem devoid of any rock potential, but that's maybe what is so cool in it, its way to be one of its own, open to any music style for any musician, without forcing into anything.

Again a very good example of how you can upgrade a classical design with a little distortion - here the wide 'gipsy style' cutaway and the wooden bridge -, and keep a pure line. Then you can remember that Epiphone is not only providing democratic Gibson guitars to non-billionaire musicians (I imagine that most Gibsons are bought by fetishist old timers too old to play in a rock band ever gain) but sometimes manages to keep to their glorious past by proposing nice and original hollow-bodies.
Ah, and this bass is said to be powered by 'revolutionary NanoFleax™ and NanoMag™ pickups' but I don't have the slightest idea of what this means!


Gibson Triumph

OK, I made my little Gibson bashing but they make of course the best guitars and Epiphone is part of it. There was another bass called Triumph made by Gibson in the 70s that is also quite amazing. A few weeks ago GL wisely pointed how the Jolana Diamond bass was a much better Les Paul bass that Gibson ever released, but the Triumph is a brilliant LP style bass, even though it doesn't bare the name. It looks almost too good to play on it, doesn't it?

Epiphone Triumph Regent 1951


And finally this is the ultra-classic Epiphone Triumph archtop acoustic guitar designed in the 30s, when Epiphone was the direct concurrent of Gibson - who solved the issue by buying Epiphone. So I don't know if the II in Triumph II makes it a inheritor of the Epiphone Triumph guitar or the Gibson Triumph bass but it both case that is quite a legacy!


Additional: The bass has been renamed the Epiphone Zenith so as a avoid a potential trademark conflict. G L Wilson

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Saturday, September 19, 2009

Epiphone Firebird Monster

epiphone firebirdWhen this guitar first caught my eye, I didn't realise that it's a complete fake, one of these 'relic'ed' new guitars (this one is from 2006) that I usually hate (even more when it's done on industrial scale like Fender's). But, well, it's still an interesting modification, so I'll do as if I don't make an unwilling advertisement for an acquisitive guitar torturer.

So I like the disrespectful empty pickup cavity and unfilled pot, switch and tune-o-matic holes; also putting an early vintage Bigsby on a new guitar is a good (aesthetical) move. The logo on the pickguard comes from some car also called Firebird (for our American readers, we urban European people can leave an entire life without putting any interest into cars). Of course, the fact that the Firebird is one of my favorite guitars (even more in the hands of PJ Harvey as I already stated on this blog) helped catching my attention - I wouldn't have noticed this mod on a strat.

BTW it's a strange thing to me that when I make a guitar (yes that's what I do!) I put a lot of work in making it look all machine made smooth and flip out at the idea of any little mark that would reveal my clumsy craft (oh these hours of sanding with bleeding fingers!), but I enjoy on old factory guitars the marks of an appropriation process...

But sanding off a guitar finish to make it look older is in any case definitely inept.

Bertram


NB: There are a lot of blogs STEALING content and bandwidth. If you read this anywhere else but on guitarz.blogspot.com then you are reading a blog that STEALS content. Please support original bloggers!

Sunday, June 28, 2009

Epiphone G-400 Xtreme

epiphone

Similar process than on the Peavey Mystic, but applied to a SG instead of to a strat, this is a quite rare Epiphone G-400 Xtreme model that I never heard of until 10 minutes ago!

Though I like the idea, I feel that these back horns don't really work here - but it's actually hard to tell because the 'industriel steel scratch plate'™ ;) spoils it completely... I would like to see this guitar with a classic 'worn' finish and see how it feels... Am I too old to appreciate a guitar targeted at teenager gothic wanabees?

Friday, June 5, 2009

Epiphone Double Scroll Bass


We've already looked at the Epiphone Scroll Guitar on this blog (there's one for sale on eBay right now - if I hadn't just lost my job I'd snap it up straight away) and here's its bass counterpart also from the 1970s, the Epiphone Double Scroll bass, featuring - as the name suggests - scrolls on both horns. She sure is a beauty!

Friday, April 24, 2009

Epiphone SOBE Les Paul

From a very desirable Epiphone to... ermmm... this thing.

It's an Epiphone SOBE Les Paul, whatever that is.

Whatever, the graphics are obviously Van Halen inspired.

Does anyone know what "SOBE" is?

I tried looking it up on Google but after two pages I was overcome with apathy.

Anyway, to sum up in one word: ghastly.

Thursday, April 23, 2009

Epiphone Scroll Guitar

The eBay seller is listing this as an Epiphone Les Paul, but this Epiphone Scroll guitar dates back to the mid 1970s - long before Epiphone were resigned to becoming the Gibson equivalent of Fender's Squier brand.

For a 1970s guitar it has a couple of features not often seen on guitars of that era, i.e. a coil tap and a 24-fret neck. Check out some of the reviews on Harmony Central - people seem to really love these guitars, and reportedly - like the Les Paul - they are quite weighty.

I'm not 100% on this, but my guess is these guitars were Japanese-built, which is a good thing as Japanese guitars are often excellent and attention to detail is second to none.

There was also a bass model - last year I saw a girl band called Ipso Facto supporting Siouxsie Sioux, and the bassist was playing a black Epiphone Scroll - the first time I'd ever seen one in fact.

All in all, very nice!

Thursday, November 15, 2007

Epiphone announce EpiActive pickups: the design makes these looks awfully like the dreaded EMG pickups. Let's hope they sound better. (Sits back and waits for the backlash).

Wednesday, November 7, 2007

The History Of The SG: Sharp Points And Radical Departures: A potted history of Gibson's classic guitar from the folks at Epiphone. I notice they skip over details such as why it was renamed from Les Paul to SG (i.e. the man himself didn't like it).

Friday, September 8, 2006

Wednesday, August 9, 2006

The Epiphone Blues Custom 30 - Great Tone, Killer Looks And Superb Quality: Designed and engineered in the USA by Gibson, the amp features an al tube signal path and tube rectifier for the ultimate in pure tone.