A Les Paul Oddity - Epiphone LP with HSH pickup arrangement

guitarz.blogspot.com:

Stephen writes:

Hi, I've been following your blog for a year and bit now, it's brilliant. It led me to wonder about one of my own guitars - I've had it about two years now, and never really wondered about it, but the more I try and find out about it, the less I seem to know. It started off as (according to The Gutar Dater Project website) a Korean made 1996 Epiphone Les Paul Limited Edition, nice sort of bluey green marine burst that is semi transparent so you can see the wood texture (nice gentle quilted look).

The guy who had it before me upgraded a lot of stuff, ie Speigel locking tuners, chrome telecaster style knobs, chrome pick up switch, a couple of punchy new coil tapped humbuckers (JBs I think) and generally upgraded stuff to make it better sounding, rugged, and all with a chrome theme. I was looking for a beefy guitar that hopefully wouldn't develop problems, so I figured if it had been throughly up graded it would do the trick.

Nothing too unusal there, but here's the thing, and I don't know why I've never really wondered about it before - sitting between the humbuckers is a single coil pick up, and it's sunk about half an inch into the body so as to be in keeping with the levels of the humbuckers. It looks like the sort of chrome lipstick pick up you'd get on the neck position of a telecaster. I wondered if someone might have routed out a slot for it and installed it as a guitar project, but when you look on the inside of the hole that the single coil sits in, it's perfectly machine cut and the same bluey green colour is on the inside walls of the hole. If it was a project, surely routing a slot for a pick up would expose the wood of the body of the guitar and there would be none of the blue stain?

The guitar was due a restringing, so while I had the old strings off this evening, I popped the single coil out, and the blue colour of the wood stain definitely goes all the way to the bottom of the slot. I popped out the bridge humbucker too just to compare the slots and any colouration in that one, and they're both bluey green all the way down, including the bottom.

The colouring in the hole suggests to me that the slot for the single coil may have been cut before the guitar was stained the greeny blue colour, which suggests it may have been done at the factory where it was made. The guy I bought the guitar off said it was like that when he got it, and he'd had it while.

Do you know of Epiphone ever releasing a Les Paul with a tele style single coil sitting between the humbuckers? Have you come across anything similar in your blogging? By the way, the single coil sounds very nice, it has a dynamic, articulate chime that the humbuckers can't achieve.

Thanks for showing us your guitar, Stephen. No, it's not a pickup arrangement I've seen on a Les Paul before. Perhaps some of our readers might know some more about it. I have to agree with the conclusion that you yourself have to come to, that the middle-pickup routing was done at the factory.

Now, I've read comments on guitar forums and in emails and a lot of people out there seem to think that we here at Guitarz have set ourself up as self-proclaimed experts. We're not, and have never claimed to be. We - like many of you - are simply guitar enthusiasts and are learning things about our favourite instrument all the time. We're happy to do our best to answer any questions and if we don't know the answers we can try to find out or else ask our readership to assist.

One thing that I've often wondered about is, on a 3-pickup Les Paul, which of the controls control which pickups and is the pickup selector switch a 5-way or is it a regular 3-way with the middle pickup being dialed in separately elsewhere? I took this opportunity to ask Stephen about the controls on his LP, to which he replied:

I'm not 100 percent sure that it all does work, but here's what it does what at the moment - the switch is a standard three way - of the two volume knobs, the volume knob nearest the bridge currently acts as master volume, and the tone control near the bridge currently acts as a master tone - the two tone knobs are push / pull coil tap type jobs for the humbuckers and both work - the volume knob furthest from the bridge doesn't do anything (although it looks like it's wired up) - all the pickups work, I had a look and they're all wired in, but I don't know enough about that side of things to be able to follow what they do.

The bridge humbucker sounds like a bridge humbucker, the neck humbucker sounds like a neck humbucker, and they can both be tapped for a single coilish sound. the centre position engages all three pickups, but the single coil seems to push to the front, with a nice sort of snappiness and articulation that the humbuckers can't manage, tapped or full.

If I was better with electronics I might be able to deduce more, but one thing I do know is that it sounds great, and I can get a ton of sounds out of it.

Thanks again, Stephen!

G L Wilson

Guitarz - The Original Guitar Blog - now in its 10th year!

Mercurio S-type guitar with interchangeable pickups

guitarz.blogspot.com:

Mercurio Guitars were made from 2003-2006 in Chanhassen Minnesota USA, and have a particularly innvovative feature of interchangeable pickup modules. A set of DIP switches on the rear of the guitar allow the pickups to be selected in series, parallel, coil tap, in phase and out of phase modes. This particular example is currently being offered for sale on eBay with a Buy It Now price of $1,250.

I remember seeing these a few years back and it's a great idea for the session guitarist who wants access to an endless number of pickup combinations without having to cart around a whole arsenal of different guitars.

For most of us though, or at least people like me, as with the Variax modelling guitars it's just too much happening on one guitar.

Incidentally, I've seen similar interchangeable pickups on Gibson "test bed" guitars.

G L Wilson

Guitarz - The Original Guitar Blog - now in its 9th year!

DiMarzio DP408 Virtual Vintage '54 Pro

Sometimes I don't know who is more particular about the particulars; physicists, art collectors, or Blues Guitarists. I can't even begin to count how many times I've had to referee a near bare-knuckle brawl over which was better; "Ceramic" Capacitors or "Paper in Oil". Holy Moley, the level of detail that is debated about guitars.... so, am I completely out of my mind to even bring up the topic of "Best Blues Guitar Pickup" ?

Totally.

But first, we must take a moment for my disclaimer: Discussions of guitar pickups are more subjective than that of lovers and football teams. Everything that follows here is merely my opinion. I do not claim to be right, smarter than the average bear or more experienced than the next civilian. I am not a doctor, nor do I play one on T.V.

Ok, disclaiming done.

That all said, I am much more of a 25 1/2" scale kinda guy; hence my Les Paul with hardly a scratch on it, and my pile of Tele & Strat bodies that look like they go back to the Johnson administration. So, my taste in pickups tends to meander more into single coil territory. Although, a pair of early to mid '70s T-Tops are also very very nice to sprinkle on your Cocoa Puffs in the morning. But I digress.

Today I ask permission to rave about the DiMarzio DP408 Virtual Vintage '54 Pro. I have gone 'round and 'round on the subject of Dimarzio pickups ever since I bought my first X2n in 1979...or 1980... it's all getting a bit fuzzy... and what the heck was I thinking buying an X2n? (answer: I was young and stupid), but I digress again. After all the back and forth with Dimarzio pickups, never hating, just flip-flopping on how much I liked 'em, I came across the Virtual Vintage series. I stopped, stomped out my cigarette, got down on one knee, and proposed on the spot.

DiMarzio DP408 Virtual Vintage '54 Pro
Awarded Best Blues Guitar Pickups

I just can't find anything to not love about these puppies. Loud, Snappy, Crisp and no hum.... my kinda girl. And when I say no hum, I mean 4-trackin' late at night, plugged into your overdrive, pro-tools fired-up, your guitar a mere one inch from the monitor... no hum. Now that's a bit extreme.... but y'know, there you are on stage, playin' louder than you know you are supposed to, you stomp on your favorite OD, kick into your big solo, and no screech, no hum, just really great tone. Sold, I'll take two... no wait, I'll take three.

I think these are particularly outstanding because while they do nail the vintage thing, they also handle serious drive with no problem. They are excellent in a set and play well with other kids too. Some say that all the members of the Virtual Vintage series are too bright. Well, I have always felt that it is a bit easier to darken up a bright pickup than it is to accomplish the opposite. Personally, I don't think it's an issue at all. These darken up very nicely and I believe that most amplifiers built in the last 70 years have at least one or two knobs that allow you to adjust your tone.... unless I'm missing something.

I know... someone is gonna chime in here that "XYZ Bonker Rails" or the "Acme Jilbo 5000" is a better pickup for Blues. See my rambling disclaimer at the top of this post please, and then come back. Of course I love a bunch of other single coil pickups for Blues. I've only written about a gazillion articles about how great Fender Texas Specials are, as well as the very cool Seymour Duncan SSL-5, Maybe "Best" is to much, who knows. I will admit that I get a little over enthusiastic about pickups sometimes (yet if you ask me when is my Sister's birthday is I will will draw a blank). That is my cross to bear, I just love pickups.

In summary, I do hate to sound like a paid endorser of this Staten Island marvel, but what a great pickup. Bell like chime? you got it. Thick / Leathery / Creamy molasses? You got it. Serious Grindage when you pull the tap off the keg? You got it. Not every pickup is gonna be everyone's cup of tea, but if you are still in search of one damn fine vintage & noiseless Strat pickup for Blues, this one is definitely worth a try. If you don't love it, fine, just throw it up on eBay and you'll get most if not all of your bucks back. You gotta really try pickups before you know if they are right for you. If you are looking for a new one (or set of three) to try, these are highly recommended. And if you want a low-maintenance way of dippin' your toe in the water, check out pre-wired assemblies, they really make your life a lot easier when experimenting with Strat or Tele pickups.

Kevin Chisholm

Orfeus pickup detail from Lord Bizarre

guitarz.blogspot.com:
Last June we took a look at a Bulgarian-made Orfeus 12-string semi-hollowbodied guitar.

Lord Bizarre, collector and enthusiast of such weird guitars, has emailed me with further information about the rather strange-looking staggered pickups. He says:

"They're single coils (possibly handwound) and then fitted arround three square magnets and held with some rope bands. Very strange construction and therefore perhaps 4 pu's needed for 12 strings (3 magnets/pu x 4 pu's = 12 "polepieces" I presume...)"

Weird indeed! And thanks for the feedback.

G L Wilson

Guitarz - The Original Guitar Blog - now in its 9th year!

Anyone got a spare V-shaped pickup lying around?

guitarz.blogspot.com:

Here's another fantastic original design Japanese guitar to feast your eyes upon.

The seller of this vintage Greco Shrike in redburst from 1968 claims that his primary reason for listing it on eBay isn't to sell it (although he would be willing to do so if you wanted to shell out the readies) but to try to find a compatible pickup for the one that is so obviously missing, so allowing him to complete the resoration of this guitar.

However, I doubt that V-shaped pickups are too easy to come by. When did you last see one? (I expect that each pickup is composed of two coils. I can't imagine how the maker would be able to wind it otherwise). Possibly, the only way he's going to get a new pickup for this is to get one custom-made. But you never know...

If you can help, click through to the auction page and contact the seller.

G L Wilson

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1960s Guyatone guitar with swivelling pickup

guitarz.blogspot.com:

In the mid-1980s Wilkes Guitars came up with a guitar known as "The Answer" which featured what seemed like a novel idea, namely sliding pickups allowing for a whole spectrum of tones*. A couple of years later, Westone issued the Rail bass which also featured a sliding pickup. It was my belief that the precedent for this idea was the 1970s-era Gibson Grabber bass which featured a sliding pickup and which was so named because you literally grabbed hold of the pickup and moved it to the desired position (although admittedly it didn't travel very far).

Imagine my surprise to find for sale on eBay this Guyatone guitar from the 1960s (pictured above) which not only has two pickups biased towards the bridge position but also has a swivelling neck pickup and accompanying "Cool/Hot" switch. Guyatone were of course a Japanese brand and many examples of their guitars were built at the now legendary Matsumoko factory.

But is this the earliest example of a sliding/swivelling pickup? I expect that Guitarz readers will know of others, so please respond in the comments below.

I'm reminded, of course, of Rick Turner Guitars (which surely must be at the other end of the quality scale from Guyatone) and the Model 1 which has a pickup mounted on a rotating plate.

G L Wilson

* Wilkes "The Answer" actually featured two coils that could be moved independently of one another and which could function separately as single coils or together as a humbucker. It really was a clever idea, the only downside was the appearance of the guitar itself that had a great big swimming pool cavity in the middle of the body.

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Hexaphonic Pickups available from Paul Rubenstein

Paul Rubenstein - the guy who got Brooklyn kids building guitars - writes that:

"I've just made a few hexaphonic pickups (separate output for each string), and I have some for sale.

They're electromagnetic, and each coil is height-adjustable. What you can do with them depends on how you wire them... six jacks to six amps (too many cables), a seven pin jack to seven pin cable to breakout box to 6 amps, pan pots or switches to stereo outs to two amps (that's how I set mine up)... or whatever else someone could come up with. I set one up with pan controls to stereo outs in an 80s Korean Squier (middle position) and here's a little demo, with every other string panned opposite: www.ubertar.com/creot/stereo.MP3

One side was recorded direct, the other through a Fender Champ and an RE20. No effects or eq, compression, etc. of any kind. The output on these is on the low side, but not unacceptably so. The signal to noise is very good, which makes up for that. They're electromagnetic, and there's no bleed between coils."

Sounds like a great idea to me. I've been wanting to experiment with hex pickups for years. Way back in the 80s I experimented with having a single-string pickup a friend had made taped to my guitar and aimed at the low E string. This I fed through an Boss Octaver pedal so I could generate an instant - albeit simple - bassline. It was primitive and the taped-on pickup was not very practical. The dream was to have a guitar equipped with individual pickups for each strings and pan pots for each. You'd be able to postition each string in the stereo mix wherever you wanted, and to send different strings through different effects (such as an octave pedal for the bass strings).

If you want to hear what a guitar with strings individually panned to different locations within the stereo spectrum can sound like, listen to "Top Jimmy" on Van Halen's "1984" album. This song features Eddie Van Halen playing a Ripley Stereo guitar, which basically has a hexaphonic pickup and pan pots.

I'd like to give Paul's pickups a whirl, but would need to find someone to help me out with wiring up a guitar for it with all the pan pots, as this is not an area I excel in.

Epiphone announce EpiActive pickups: the design makes these looks awfully like the dreaded EMG pickups. Let's hope they sound better. (Sits back and waits for the backlash).

Godin Improve Guitar Tone: High-Definition Revoicer to be included in selected guitars. The system is said to be like having two sets of pickups in one Godin guitar.